{"id":120,"date":"2016-10-10T14:06:19","date_gmt":"2016-10-10T14:06:19","guid":{"rendered":"http:\/\/wunderland.dk\/?p=120"},"modified":"2021-02-04T11:02:00","modified_gmt":"2021-02-04T11:02:00","slug":"research-the-soft-animal-of-our-body","status":"publish","type":"post","link":"https:\/\/wunderland.dk\/da\/research-the-soft-animal-of-our-body\/","title":{"rendered":"The Soft Animal of Our Body"},"content":{"rendered":"<p>Researcharbejdet til THE SOFT ANIMAL OF OUR BODY var en forts\u00e6ttelse af Wunderlands arbejde med radikal fysisk og sensorisk publikumsdeltagelse ind i nye omr\u00e5der.<\/p>\n<p>Med vores solide erfaring i at arbejde med publikum \u00e9n og \u00e9n i m\u00f8det med \u00e9n performer ad gangen, ville vi udforske nye tilgange og konstellationer: Publikum og performerne bev\u00e6ger sig sammen som en gruppe. Ved at opl\u00f8ses, hvem der er hvem, udforsker vi fysikalitet og de indre dynamikker i en gruppe.<\/p>\n<p>The research is an important step before a future production, to know enough about the amount of input and guidance a group needs, how the group changes with the numbers of individuals, and how many performers are needed for a specific group size.<\/p>\n<p>Derudover vil vi unders\u00f8ge, hvordan live-animationen gennem lyd og ord p\u00e5virker gruppedynamikken; og hvordan de ens kostumer (b\u00e5ret af samtlige deltagere) indvirker p\u00e5 opfattelsen og adf\u00e6rden i en gruppe.<\/p>\n<h5>Forskningssp\u00f8rgsm\u00e5l<\/h5>\n<ul>\n<li>Hvordan kan en gruppe - gennem fysisk interaktion og sensoriske erfaringer - guides ind i dere personlige l\u00e6ngsler?<\/li>\n<li>Hvordan kan vi lege med gruppedynamik, opbyggelse af relationer, grundl\u00e6ggelsen af \"samfund\" i et iscenesat rum, men med \u00e6rlig og reel interaktion?<\/li>\n<li>Kan en gruppe, som lige har m\u00f8dt hinanden indbyrdes, blive en klan, en familie?<\/li>\n<li>Hvordan kan den m\u00e5de, vi agerer p\u00e5 i en gruppe, vise os selv p\u00e5 en ny m\u00e5de? Vise os relationer til andre p\u00e5 en ny m\u00e5de?<\/li>\n<li>Hvordan kan folk fra andre sociale grupper, i forskellige aldre, og med andre vaner for krop og bev\u00e6gelse udfordre og komplementere hinanden?<\/li>\n<li>Hvordan p\u00e5virker det vores adf\u00e6rd i en gruppe at blive \"forkl\u00e6dt\" i kostumet og gradvist blive demaskeret?<\/li>\n<li>Hvordan kan en gruppedynamik \u00e6ndre sig i forhold til at antallet i gruppen?<\/li>\n<li>Hvor mange performere til hvor mange publikums-deltagere er der behov for til at guide fysiske forandringer - og forandringer i gruppen sindstilstand?<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h5>St\u00f8ttet af<\/h5>\n<ul>\n<li>Nordisk Kulturkontakt<\/li>\n<li>Statens Kunstfond<\/li>\n<li>Aarhus Kommune<\/li>\n<li>Bora-Bora - Dans og visuelt teater<\/li>\n<li>Performing Arts Platform<\/li>\n<\/ul>\n<h5>Academic researchers<\/h5>\n<ul>\n<li>Thomas Rosendal Nielsen, PhD Dramaturgi, Aarhus Universitet<\/li>\n<li>Haukur Ingi J\u00f3nasson, Prof. PhD\u00a0 Reykjav\u00edk Universitet<\/li>\n<li>Maja Ravn Christiansen, Ba. Dramaturgy, project-leader assistant and leader of audience talks<\/li>\n<\/ul>\n<h5>Kunstnere<\/h5>\n<ul>\n<li>Kunstnerisk leder og performer \u2013 Mette Aakj\u00e6r (DK)&nbsp;<\/li>\n<li>Medskabende performer \u2013\u00a0Mari M\u00e4gi (EE)<\/li>\n<li>Medskabende performer \u2013\u00a0Helga Rosenfeldt-Olsen (DK)<\/li>\n<li>Medskabende performer \u2013\u00a0Nina Matthis (SW)<\/li>\n<li>Visuel kunstner, kostumer og setdesign \u2013\u00a0Sigrid Astrup (NO\/DK)<\/li>\n<li>Tekst og gamemaster \u2013 Sonja Winckelmann Thomsen (DK)<\/li>\n<li>Komponist \u2013 Thoranna Bjornsdottir (IS)<\/li>\n<li>Dramaturgisk konsulent \u2013 Sarah John (AUS)&nbsp;&nbsp;<\/li>\n<\/ul>\n<h5>Teknik<\/h5>\n<ul>\n<li>Teknisk interaktionsdesigner \u2013 Daniel Plewe<\/li>\n<\/ul>\n<h5>Produktion<\/h5>\n<ul>\n<li>Projektleder - Louise Kierkegaard, 1:1 Produktion<\/li>\n<li>Projekleder-assistent og leder for publikumssamtaler \u2013 Maja Ravn Christiansen<\/li>\n<li>Assistent \u2013 Sarah Kamille Teilbrand<\/li>\n<li>Setdesign\/kostume-assistent \u2013 Aurora Bertoli<\/li>\n<li>Setdesign\/kostume-assistent \u2013 Maria Vang<\/li>\n<li>Video \u2013 Christoffer Brekne<\/li>\n<\/ul>\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Researcharbejdet til THE SOFT ANIMAL OF OUR BODY var en forts\u00e6ttelse af Wunderlands arbejde med radikal fysisk og sensorisk publikumsdeltagelse ind i nye omr\u00e5der.<\/p>","protected":false},"author":1,"featured_media":714,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[26],"tags":[],"class_list":["post-120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-forestillinger"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - 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